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Applications => Adobe Photoshop => Topic started by: SkillSans on January 24, 2018, 09:53:29 AM

Title: RUDIMENTARY SOFT PROOFING USING PHOTOSHOP ADJUSTMENT LAYERS
Post by: SkillSans on January 24, 2018, 09:53:29 AM
does this sound like pure crazy talk, or is this in any way possible?

We have some software that powers an Epson printer. This software prints each printing plate (taken from the actual Esko "len" TIFF files that are used to produce the plates) but applies the dot gain etc to mimic the output from the printing press in question. This is all very good and helpful, but takes an awful long time to print the result.

I am told that we need a posh monitor and extra software/hardware to get any kind of reliable soft proofing on screen. This seems a bit overkill for what I am trying to achieve, so I am instead playing around with some Ps adjustment layers to try and mimic the press conditions (very rough 'ballpark' results) so I can see the effect of any changes that are made within Photoshop.

Should I stop, or is this a viable method?

Any advice will be gratefully received (Thanks in advance)



(P.s. I can give approx details & data on the actual things I am trying to achieve if the general consensus is that this is worth trying)


Regards, J
Title: Re: RUDIMENTARY SOFT PROOFING USING PHOTOSHOP ADJUSTMENT LAYERS
Post by: Joe on January 24, 2018, 10:02:48 AM
Well with the "posh monitor and extra software/hardware" it is possible to give yourself a very good representation of your press output. I think your method is going to be exactly as you say..."very rough 'ballpark' results'".
Title: Re: RUDIMENTARY SOFT PROOFING USING PHOTOSHOP ADJUSTMENT LAYERS
Post by: ninjaPB_43 on January 24, 2018, 11:22:40 AM
Short answer:
I think you could "make it work" with some upfront trial and error to get a "close" replication of the output effect. However, the concern (for me) would be that you likely won't be able to have a standard adjustment layer that you apply to all jobs/files. I believe the adjustment layer will interact with different colors different ways, and what worked on one job and got you close, might/might not work as close on the next. I feel like you would be constantly chasing your tail.

Long Answer: